One tragedy, seven characters, plus a whole lot of math equals an avant-garde play portraying the complex ways in which humans are interconnected.
Through a series of monologues, the seven characters in Peter Dickinson’s play, Long Division, share their memories of events that lead to the death of a bullied, mathematically gifted high school student. Dickinson’s use of the unconventional lecture/performance style to convey the stories in a non-linear format is intellectually engaging. As a lover of games, puzzles, and play on words, the lecture series gave me the opportunity to put together the pieces of plot as each story unfolded. The mathematical metaphors which required me to delve into my long-term memory to recall my university calculus classes got my brain juices flowing trying to “solve the case”, or rather discern the underlying theme of the play, that of human interconnection. To further metaphorize the theme of math and human interconnection, as one character told their story, the rest repositioned themselves around the speaker much like particles of a particle physics theoretical framework, signifying the six degrees of separation that connects one person to another.
I appreciate the variety of characters that Dickinson’ wrote into the play. Selecting characters from all walks of life truly made the story feel more plausible and appropriate considering the diverse city in which we live. However, I feel the casting director may have played into the ethnic and gender stereotypes a bit too much – a robust lesbian bar owner (Jennifer Lines), a tall, handsome, white male business executive (Jason Clift), and of course, my favourite, the Asian math teacher (Nicco Lorenzo Garcia) – how cliché. I do wonder if the playwright wrote these ethnic and gender choices into the script or if it was a decision made by the casting director? Nonetheless, the cast played their roles well, and spoke of the mathematical theories as though they were experts in the field even including some cheesy puns, to boot.
The black box set with the back drop of random 3D geometrical shapes was simple but gave the cast a lot of space for the abstract dance choreographed by Lesley Telford. Aside from positioning themselves similar to a string theory diagram, I honestly didn’t pay much attention to the intricacies of the choreography. Not because I didn’t care for it – I was just more engrossed in the dialogue and quietly snickering at the math puns.
To sum up (I can make math puns too!), Dickinson’s Long Division is a creative and well-written piece of experimental theatre that is not only entertaining but thought provoking and intellectually stimulating. Bravo.