Arts Club Theater Company
Goldcorp Stage at the BMO Theater Centre
April 20–May 14
It is sometimes difficult to see the forest from the trees and yet, some moments in time remain more memorable than others as it slows and provides a crystalline clarity as we recognise the frailties that come with being mortal or appreciate the beauty within each moment.
The Piano Teacher is a play by Dorothy Dittrich and touted as being about the lessons on life and love. It is!
From the very moment that Act I begins, Megan Leitch who plays Erin, Catriona Murphy playing Elaine and Kamyar Pazandeh who plays Tom, create a gentle tension of heartbreak and loss that is connected by the power of music and love, as they weave their way through this remarkable story of grief, compassion and joy.
For any of us who have experienced the paralyzing effect of loss and grief, it is difficult to not open our hearts to Erin (Megan Leitch), as she walks on stage and shares how she lost her husband and son in a tragic automobile accident with the hope that Elaine (Catriona Murphy) the music teacher who is gradually losing her hands to arthritis, might light the path back to her music and the concert hall.
David Robert’s has designed a simple and elegant set complete with a baby grand piano that becomes the central point in the homes of the two women as they remind us of the frailties that we all share. As for Tom, he was a welcomed metaphor for distraction and rebuilding, and he offers a playfulness and an interesting human touch to contrast the stories of Elaine and Erin.
In the May Edition of Vancouver Theater, arts critic Jerry Wasserman wrote, “ the play has a lot going for it—in particular, lovely classical music and a beautiful performance by Caitriona Murphy in the title role. It also features nice sentiment about the power of music to heal. But in other areas it needs significant work to develop it into something more than just a bromide about how things that are damaged will inevitably get better”.
As a reluctant critic I am struck by how different each of us sees, hears, smells and feels each moment in this world that shapes who we are. This doesn’t make any of us more right or wrong or something good or bad. Depending on how we enter this forest will determine how we see it, and how we are moved by the gentlest of movements, nuance, memories or sound. I applaud Dorothy Dittrich for a brilliant play and for having the courage to allow the cast and an extremely talented creative team to take it and breathe life into The Piano Player.
If you walk far enough into the forest, you can’t miss it!